A Critic Responds To My Memoir

NORMAN GOODWIN

Okay, gush it out, all in ghastly blow-up, except clear away the pitiful debris:

your drunken dad, his dentures blackening in the toaster, and your death-bed mom        

rasping her apology, your now unlocked molestation.  Oh yes, and the middle part:

your decapitated sister, the dopplering thunks of her head down a laundry chute,

also, the wilting farewell wave of your best friend as he’s rheostatted from life support

and the CPR-scene with your frisbie-clobbered poodle, not to mention the vast,

rhapsodic oozings beneath the oil derrick repetitions of your sex life; skip all that.

Otherwise, go ahead. Leak it out, except please excise your spouse’s boil conceit,

your level-one bipolar jags, the bed-sheet under grandpa’s incontinence.  Definitely

delete Little Mitten’s autopsy and the canary therein, also the basement rituals

of your twisted uncle, his diary of a prison cook provoking grandma’s blank,   

portentous stare. Nevertheless, confess; disgorge every hairball

though best leave out your most unforgettable suicides and other non-routine

disfigurements, ditto, the dead brother’s shower visitation and your paperboy’s

erotic lynching, but all the rest, I mean it, all the rest, keep that, except, of course,    

dismantle the dull parts, the sleepers, you know, the parts about yourself.


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